When we left off last time, Herb threatened to cut some of the boys if they caused any more trouble. Moving along with the theme of scratching some people off the team, Patrick exits the training center to be greeted with the following shout from the guy I believe is Dave Christian, “Hey, Patrick, you’ve got the names?”
It should also be noted that when he poses this inquiry, he throws his arms about so much that it would be tempting to include this moment in any top ten hockey goal celebration collection. Overacting was definitely the bread and butter of the actors in this movie, I assure you.
Obviously able to hear Dave’s shout, a tangle of boys including OC, Rizzo, Jim, and possibly Silk if my recognition skills aren’t hilariously subpar, stops tossing around a football and charges over to hear Patrick’s answer for themselves as Patrick explains, “Twenty-six names on the bulletin board in the morning. Rizzie, Herb wants to see you.”
Jim and Rizzo swap scared, startled glances, and then Rizzo, handing the football to Jim, replies, “Okay. I’ll see yous later.” Yous? Seriously, scriptwriters, didn’t we learn in third grade not to ever use the word “yous”? Then again, maybe the scriptwriters are still in second grade, which would explain a ton about the dialogue in this film.
I hate to be the grammar police, but what is this garbage assaulting my eardrums? In English, the word “you” functions as both a singular and plural noun. To avoid confusion, I understand the urge to use informal “you” plural addresses such as “you guys” which I’ve been known to indulge in myself in casual conversation or even “y’all” if you’re from the South, but “yous” just sounds ten times more ignorant than either of those even if it’s technically no more wrong. I maintain that college-educated people like Rizzo shouldn’t use the word “yous” unless they want to have their degrees revoked.
As Rizzo disappears to inflict more grammatical errors on Herb, Jim asks, “What? Is he cutting Rizzie?”
Wearing a slyly obtuse smile reminiscent of the Cheshire Cat’s when giving Alice directions in Wonderland, Patrick says, “Hey, I just work here. Who’s buying the beers?”
When the boys shake their heads in disgust and drift away, Patrick, demonstrating that he cannot pick up on non-verbal cues even when they hit him in the face like a sledgehammer, calls after the guys, “Hey, you telling me I’m not welcome?” Yeah, Sherlock, that’s exactly what they’re telling you, because if you came along for drinks, the scene would probably become as awkward as a dinner of semi-phallic food with a family of nudists.
At his most whiny, Patrick tries to mend the fences again, yelling, “Hey, where you guys going to be in case Herb wants to see you later on?” He is informed that the boys will be across the street at Cecil’s, having a few drinks before the cuts. We are spared the sight of any more Patrick wimpiness by a merciful scene transition.
The scene shifts to Herb’s office, where Herb is telling Rizzo, “Think it over, Rizzie. That’s my best advice.”
When Rizzo asks what will happen if he refuses, Herb responds enigmatically, “We’ll see, but if I keep you, it’s going to be for the good of the team.”
Apparently forgetting how to knock, Patrick bursts in, announcing, “I need you, Herb. In private.”
Plainly irritated at the abrupt interruption, Herb demands in a sharp voice, “Can’t it wait?”
With a shrug, Patrick answers, “Just trying to do the job you gave me.”
As he leaves, Rizzo tells Herb that he’ll have to let him know in the morning, which is a perfectly legitimate and sensible response to whatever Herb could have been proposing to him, but since rationality and Herb are like oil and water in this movie, Herb, of course, replies, “You’re making it hard on both of us.”
The scriptwriters decide that we don’t deserve to see the conversation between Herb and Patrick even though it was important enough for Patrick to barge in on Herb’s discussion with Rizzo, so, instead, the scene shifts to a diner, where Rizzo and Les Auge are chatting in a booth.
As we join them, Rizzo confides to Les, “Les, maybe I’ve got no future in hockey. I’m just average, and I’m too small. Maybe I would be better off coaching than playing.”
It’s interesting that this movie chooses to address the idea of Rizzo being an assistant coach for the 1980 team rather than a player on it, because shortly before the Olympics, when Rizzo was in a scoring slump, Herb basically threatened to bring Rizzo along as an assistant coach instead of a player, explaining to Rizzo that he would tell the media that Rizzo had gotten injured in training. Here, obviously, the timeline is altered and Rizzo is given at least the pretense of a choice, though if he refuses, I’m sure he’s wondering how astronomically high the odds of him being cut from the team are.
Not letting Rizzo wallow in the tough market that faces small hockey players, Les Auge points out that Herb has given Rizzo a choice, not cut him. Not exactly encouraged by this, Rizzo argues that Herb could very well end up cutting him later, but if he accepts Herb’s offer of an assistant coaching position, he’ll have the guarantee of being with the team through the Olympics.
Les Auge scoffs, “Yeah, as assistant coach. That’s terrific. That’s a once every four year job.” Actually, it’s not even that. If you’re an assistant coach for one Olympics, there’s no guarantee that you’ll be an assistant coach for the next. The coaching staff can undergo a complete makeover between one Olympics and the next. Being an assistant coach in the Olympics is a one time job, but if you’re savvy you could probably parlay that experience into another more permanent coaching job elsewhere.
Rizzo expresses this last notion, claiming that if he accepts the position of assistant coach for the Olympics, he could probably get a job as an assistant coach at some college when the Olympics are completed.
Aggravated, Les Auge explodes, “Oh, come on. Wake up! You’re a hockey player! Let me tell you something. Smart guys hang in until the end. If you have any hope in hell of playing, just stay with it.” Geez, I’m feeling inspired myself now. Perhaps Les Auge was the one who should have pursued a career in motivational speaking…
Leaning forward, Les Auge continues, “You know, baseball and football. There you’re talking about big business. There’s lots of opportunities. You’ve got a chance here. Don’t give up.” I’m glad that someone is around to encourage Rizzo to try to take one of the few opportunities open to American hockey players at this time.
Les Auge concludes his grand speech: “Listen, if you can’t find your name on that list tomorrow, then come to me and tell me about your coaching jobs, but until then, just keep running them into corners. Don’t quit until he fires you.” I’ve got to say that my affection for Les Auge is growing. I’m getting sad that he’s going to be cut, whereas I can’t wait to see the back of Thompson.
Switching scenes again, we’re in a living room with a lot of the guys from the team including OC, Bill Baker, Rob McClanahan, Ken Morrow, and Jim Craig talking amongst themselves while an agent tries to hold court about the upcoming game schedule, saying with varying notes of pathetic desperation, “Okay, fellows. All right. Hold it. Listen up. Listen up now, fellows. Listen, it’s a good schedule. Some games in Europe. Some exhibitations against the NHL. You’ve got sixty-one games in all. That’s in five months. Only the fittest survive this.”
I hope this is meant as a not-so-subtle info dump for the movie audience, since it would be really pathetic if the boys needed an agent to tell them what they could easily garner from a schedule for themselves. These guys shouldn’t need an agent to read off a paper what teams they’ll be facing and how many games they’ll be playing. If this Olympic squad has even half the organization of a recreational beer league, they’ll already know all this basic information.
Placing his drink on the coffee table, Ken remarks, “Yeah, that’s the point. A guy could get injured right out playing hockey with a schedule like that.” This hurts my heart, since it was untimely injuries that forced Ken Morrow out of the NHL early. At least he got some Stanley Cup rings with that Islander dynasty first, though…
With a meaningful glance at Morrow and the other boys, Kaminsky leans forward to rest his elbows on his knees, and counters, “Not if he stays on top of his game. Okay, you can’t prevent bad luck, but cheap injuries, that’s something else.”
This is so wrong that I feel the dumber for even considering for a millisecond the possibility that such an absurd premise could be true. Cheapshots are so terrible precisely because they are unpredictable and illegal. Check out this compilation of NHL cheapshots to see what I mean. Yes, I’m aware those all come from a more recent era, so here’s a collection of cheapshots from the 1980’s, and you can bet that injuries sustained during the 1970’s would probably be even worse, since hockey was more physical in the 1970’s than the 1980’s and safety gear was more primitive and optional. Just good Lord. Is Kaminsky really going to contend with a straight face that the victim of every cheapshot in hockey history could somehow have prevented the injury by being “on top of his game”? That’s like saying every robbery victim who ever existed deserved to be stolen from just for not looking after possessions properly.
Fortunately not falling for this drivel, Jim points out, “Yeah, but a pro gets paid for the risk of bad luck.”
The guy (whose face I can’t recognize) next to Jim chips in his two cents, adding, “Yeah, and a pro’s insured.”
These are legitimate concerns, since an athlete’s livelihood depends on his body’s health, so if there are questions about where the money to treat an injury would come from, I could definitely see that as something that could scare guys with other options away from the Olympic team.
Kaminsky answers, “We’re working on that.”
Then there is a knock on the door, and OC opens it to reveal Herb, who enters and glares around the room to put all the peasants who had the gumption to worry about their medical insurance in their place. This is just like Peterloo.
OC cracks his fingers together in a signal for all the boys to leave, which they do, leaving Herb alone with the agent and Kaminsky.
The agent dons his jacket and announces that he’ll be leaving for a drink, gesturing at Herb and Kaminsky before saying, “With you two, it’s personal. If you get past that, call me. We’ll talk business.”
Once the agent leaves, Kaminsky clears his throat and offers Herb a drink, which prompts Herb to vent, “You said you’d keep away from my kids.”
Not responding to this, Kaminsky asks, “How come you get along so well with my partner?”
“Leave him out of it,” Herb snaps. “Who invited you here?”
Kaminsky answers that it’s just common sense for him to be here and a rumor that Herb needed him.
As the Rumor Weed Song from a childhood of listening to Veggie Tales echoes in my head, Herb goes into full snide mode, asserting that of all the things he needs, Kaminsky is the least and that the rumor Kaminsky should have listened to was the one detailing how much he didn’t care for Kaminsky. I have observed that, thus far, Herb is the only character in this film who is allowed to have even halfway witty put-downs.
Not descending to Herb’s level, Kaminsky remarks, “Well, as I see it, Herb, you are caught between a rock and hard place. That tends to make a man nervous, tight. Sometimes makes him look for something to focus it all on, and something tells me that I’m your Patsy.” Kaminsky is so dramatic here. At this point, I wouldn’t be surprised to hear him break into this catchy tune about how much of a Patsy he is.
Shaking his head, Herb comments, “You’re nobody’s Patsy. A guy doesn’t get to be big and important in pro hockey circles by being a Patsy.”
Kaminsky admits that’s true, but argues that he did whatever was necessary to advance in pro hockey circles in order to further the cause of young American hockey players, because, according to him, he’s the only one who believes in them and wants to give them the chances that Canadian junior players usually had first dibs on as he is convinced that American players can be as good as Canadian ones. He’s also adamant that this approach isn’t making him rich.
Unmoved by this, Herb sarcastically suggests, “You ought to register as a charity. I’d send you a couple bucks myself.”
Kamisky responds that would be just fine, and then goes on to make the following appeal, “Now, listen. If you’re going to cut fifteen of the best that we represent, would you please tell me now? I’ve got pros sniffing around every one of them, Herb. These kids need my advice. If I believe you’ve got half a chance at a good showing, I’m going to tell them to stay. If I believe that the Russians are going to humiliate you, my advice is going to be to split, to get them out before they make laughingstocks of themselves.”
As I noted in the previous section, this is about as straightforward and fair a deal as you can expect from an agent, and it’s a pity that Herb is too stubborn to cooperate, because, no matter how much he tries to paint Kaminsky as a villain here, I don’t perceive him in that light. Kaminsky is just trying to do his job by looking out for his clients. He wasn’t hired to be the Olympic team’s GM, after all.
In this vein, Kaminsky continues, “Herb, give me room. Maybe I can help you. You keep playing God, you’re going to find yourself with an empty locker room. Now I’m doing my job as a lawyer, as a player’s rep.”
Herb volleys back, pointing at his chest, “Maybe in your head, but what about here? What about your heart?”
Game, set, and match to you, Herb. You said the secret word. I’m sure that if Kaminsky digs deeply into his masochistic heart he’ll realize that he really does want to see as many of his clients embarrassed on the Olympic stage as possible.
Pressing on, Herb demands, “Law or athletics? Kaminsky, I’m inviting you to join the squad as an honorary member. Put it on the line for the team. Just as though you were wearing the skates yourself. This is no ego trip for me. You know as well as I do that no athlete ever made it without sacrifice for the game, not for meat.”
When Kaminsky says that he’s not questioning Herb’s motives, Herb retorts, “Just my sanity, right?” Well, at this point, given how manic you’ve been acting, Herb, that would be a totally justifiable thing to doubt…
Before Kaminsky can answer, Herb states, “Let’s play it straight. This whole thing as far as I’m concerned is a fantasy.”
Kaminsky looks about as startled by this revelation as the first caveman who discovered that wood ignited. The overacting really makes every scene extra unbelievable.
Getting past the almost comically horrid acting, Herb throws all his cards on the table, observing, “And you know what? I’m beginning to doubt your sanity, too.”
Again with that incredibly fake expression of shock, Kaminsky asks, “Why me?”
Herb fires back, “You coming all the way out here. You, the fastest telephone in the East, coming out here. I’d like to see your cost analysis of this trip.”
Kaminsky confesses that Herb is right, and this wasn’t a business trip, as he came out to see for himself whether Herb was obsessed because Herb was the last man cut from the ’60 gold medal team and that could cloud Herb’s judgment. When Herb presses for Kaminsky’s verdict on his obsession level, Kaminsky sums the situation up perfectly by explaining, “I think you’re crazy like a fox.”
On that note, I’ll leave you until next time to speculate on how Herb will sneak into the chicken coop and which chickens in the coop he’s after anyway…
glimpsesfromanivorytower 